I’ve slipped into the shining diamond life with Seventeen and their repackaged album, Love & Letter! The group’s strategy is to not only use the power of the numbers, but also their unique sub-units, divided into the vocal team, the hip-hop team and the performance team. The repackage provides some delightful versions of Seventeen’s songs.
Upbeat title tracks, “아주 Nice” and “Shining Diamond” make for good material for the performance team. I really like the use of the horns on “Nice” and the pop sound of “Shining Diamond.” On the repackage album, though, other tracks showcase the vocal and hip-hop teams, including rearranged versions of previous songs so cleverly done, I didn’t even recognize the originals. The hip-hop team version of “만.세[Mansae]” has a completely different beat than the original. The vocal team’s version slow jam-y of “아낀다[Adore U]” sounds nothing like the original, and that’s not a bad thing.
I’m back with another installment of My Favorites! This time, it’s solo male K-pop artists, the Kangta and Wheesung Edition. Wait! Before you even ask, “Where is [insert Rain, Park Hyo Shin, your favorite male solo singer, your cousin], these are male artists that I like. They are also primarily solo artists, not current members of groups with solo projects (that’s another post–I see you, Taeyang and Heo Young Saeng!). #sorrynotsorry
“Lucky One” is one of two comeback tracks for EXO’s EX’ACT album. You know I am down for this disco-infused extravaganza! I also like the video (which opens with a shot that takes advantage of D.O.’s natural lack-of-expression) and gestures back to previous EXO concepts, including the superpowers, the EXO-planet and the team jerseys, which lends a sense of continuity. I’m not sure if the video matches the song, but I like the song and I like the video so I’m calling it a WIN!
If you’ve been a K-pop fan for a while, you might run into this problem. Sure, you have mad love for your favorite K-pop groups, but we all know that K-pop promotions run in a cycle. What do you do when your favorite groups are MIA? FIND MOAR!
The minute somebody says something about getting Kangin to leave, the mud-slinging starts (i.e. “you’re not a true fan,” “you’re an ANTIFAN!”). This is not confined to K-pop fandoms, but still. Why can’t we disagree and refrain from calling each other names? We all know this is not Kangin’s first trip to the trouble rodeo. Fans aren’t wrong when they say that his behavior has a negative effect on the team. At the same time, K-pop fans are very forgiving, and want to give him a second chance. See what I did there? That’s looking at the issue from both sides. No fans were hurt in the making of this post.
Once I processed (ok, I’m still processing) the news of Zion T.’s departure from Amoeba Culture to a sub-label at YG headed by Teddy, I’m also thinking about Amoeba Culture. This doesn’t seem to be an acrimonious split, and I was happy to see Amoeba Culture’s official statement, which acknowledges their previous relationship: “During that time Amoeba Culture and Zion. T had a relationship beyond simply being just an agency and an agency artist. We relied on each other, made good music, and spent happy moments together. Thus we feel sorry and regret” (soompi). At the same time, the label wishes him well: “Although we cannot be in the same place together, Amoeba Culture will always support Zion. T’s new challenge as he enters a new environment and unfamiliar field in order to fulfill his dreams” (soompi). I”m concerned about Amoeba Culture and their roster. I have loved Amoeba Culture artists, but with Zion T. leaving, I feel like Amoeba Culture needs more talent, which isn’t easy because talent doesn’t work on trees. I hope that it can continue to operate as an artist-led label.
As a K-pop fan in the United States, I’m always excited to see my beloved K-pop live. The EXO show in Los Angeles on February 14, 2016 was no exception. Having seen EXO “grow up” from those 23 teaser trailers to Sing for You, I was looking forward to the show very much! Let us never forget the epic backstory behind EXO’s concept, beginning when “the twelve forces reunite into one perfect root” to the current unknown EXO planet!
I like a lot of K-pop groups (a LOT…of K-pop groups), but I have four bias groups (SS501, Shinhwa, SHINee and Super Junior), my favoritest favorites. I looked at my iTunes to see which songs by my bias groups I played the most. I was surprised!
Despite the regular insistence that it is disposable and only for teenagers, K-pop has managed to have several groups and artists attain veteran status. Over time, these artists develop their image and sound in ways that also embrace their beginnings.
While the choreography is often a crucial part of the official music video, the dance versions and practice dance videos keep the focus on dance by stripping down, often eliminating distractions such as props and dynamic lighting. Super Junior’s “Devil” and APeace’s “Loverboy” are shot against stark, white backgrounds. . . .
While K-pop remains a subculture in many places, it tends to attract a wide variety of fans. One of the reasons for such appeal is that K-pop provides a sense of nostalgia on several levels, a feat not easily achieved in the pop music world.
Fans of K-pop have dubbed 2014 the year of Kpocalypse in light of a spate of lawsuits by members from EXO. While it’s hard to separate fact from speculation as a global K-pop fan, these lawsuits do say something about the role of nationality and the motives of the members who bring lawsuits.
The tantalizing goodness of Korean dramas don’t just come from romantic angst, historical intrigue and heart-stopping action. The emotional highs and lows would not mean as much without an Original Sound Track, also known as the Official Sound Track, or OST.
OSTs can come from any genre, and often features artists performing in styles that differ from their usual ones. OSTs can feature collaborations as well as solo performances by individuals in groups. They may feature vocals or exist solely as instrumentals.Everyone has their favorites, but here are a few examples to show how K-dramas make effective use of music in different ways.
Like many K-pop fans, many of my favorite groups are male (shout out to SS501, Shinhwa, Super Junior and SHINee!). Part of this may be because there are more male groups to choose from, but I have to admit that initially, the female groups like Girls’ Generation and Miss A didn’t do much for me. However, eventually I embraced the K-pop girl groups and here’s why.
K-pop fans often engage in creative and productive fan activity, but sometimes they don’t and media is always there to capture it. Nothing stirs up the spectre of the “obsessed K-pop fan” like a “scandal.” As we know, K-pop fans are diverse, but the kind of recent “scandals” experienced by Park Bom (of 2NE1) and Sulli (of f(x)) shed some light on the role cultural context and media plays in global fans’ understanding of “scandal.” Unlike global fans, Korean K-pop fans experience K-pop within the context of Korean culture and their responses are captured by Korean media. Because of their proximity to the K-pop scene, the displeasure of Korean fans can affect change beyond the control of the Korean agencies.