“Help Me” is from AOA’s first full album, Angel’s Knock (2017).
Video: K-Pop Music For You. “AOA (에이오에이) – 너 때문에 (Help Me) [MP3 Audio].” YouTube. 1 Jan 2017. https://youtu.be/m_ksKZPW36M. (19 Mar 2017).
The best romances are with people who are well-matched and help each other out. In General and I, somebody’s not pulling their weight, and everybody’s losing out.
A good couple in an Asian drama is when individuals are well-matched. In General and I, Chu Bei Jie (Wallace Chung) and Bai Ping Ting (Angelababy) are both clever and observant. Bei Jie is treasured general of the Jin state, valued by his emperor and beloved by his people. He also has a bit of an attitude due to his success on the battlefield, but in time you just let that slide. Bai Ping Ting was originally a maid in the Prince of Jing An’s household in the Yan state, but as one character observes, they never treated her that way. She’s often compared to the famed military strategist Zhuge Liang. Both Bei Jie and Ping Ting are loyal to their respective people.
So when these two get together, you expect them to take the world by storm. But wait! It wouldn’t be a Chinese drama if it were that easy. They face obstacles. Everybody in Jin is giving Ping Ting the side-eye because she’s from Yan. They don’t trust her and wonder how she’s got Bei Jie wrapped around her finger. Bei Jie can never be friends with the Prince of Jing An’s household. The young prince, He Xia (Sun Yi Zhou), is holding the mother of all grudges, which is exacerbated by the fact that he was planning on marrying Ping Ting (although she never looks all that thrilled at the prospect). Bei Jie and Ping Ting are not much different from other couples in Chinese dramas.
Except…they are not contributing equally to the romance. Early on, Bei Jie throws down the gauntlet, defying even the Emperor on numerous occasions for his wife. What I like about Bei Jie is that he’s not shy about it. He tells his army, he tells the Emperor, he tells his nemesis He Xia: Ping Ting is his girl, and it’s his duty to protect her, always. It doesn’t matter what she’s done, what it looks like she’s done, what she might think about doing. That’s his girl. However, Ping Ting apparently did not get this memo. Her actions constantly show that she questions Bei Jie’s devotion to her. She claims that she doesn’t want to cause him trouble, but it’s actually her actions that cause the majority of trouble for Bei Jie by running away, constantly. Yet through it all, Bei Jie is constant. Dude is going above and beyond his duty in his devotion to her. Ping Ting also seems to forget that Chu Bei Jie is no dumb bunny; he can get himself out of predicaments without her help, even ones she accidentally has a hand in.
One of the biggest problems is that Ping Ting tries to change Bei Jie and deny their responsibility to the people. Ping Ting seemed content to run around the country to try to protect He Xia, but once she acknowledges her feelings for Bei Jie, she’s all ready to retire to the country. YOU CAN’T LEAVE! Bei Jie was a general for a reason: he feels a duty to his people. He was a general when Ping Ting met him: that’s who he is. But Ping Ting thinks it’s ok for them to peace out once they get married (formally). She’s no stranger to the battlefield. Heck, that’s where we first see her. Rather than avoiding the obvious, namely, that people as talented as they are should use their talents to help others, Ping Ting wants to live a quiet life and leave the people hanging. And trying to be out of the affairs of state does not work: problems will just come knocking on your door (literally).
But it’s not the actors fault, and here’s where the writing comes into play. Not a stranger to Chinese drama, high episode counts do not faze me. I’m willing to suspend my disbelief for the coincidences and chance meetings and implausible scenarios. But the writers of General and I tested my patience with an unnecessary and unprecedented separation of the leads that lasts nearly 20 episodes. That was ridiculous! Moreover, the actions of Ping Ting after the separation made no sense. There were lapses in logic that, quite frankly, insulted the viewer. Bei Jie is doing his job as a devoted husband, and Ping Ting is acting like a fool. She’s making unilateral decisions and not even giving Bei Jie a chance to respond to their changing circumstances. For 20 episodes, it’s all about Ping Ting. So when they reunite, it’s kind of a let-down. There’s no discussion about what caused the separation in the first place. They just kinda pick up where they left off, which makes you wonder about the whole separation in the first place.
So why did I stick with General and I? Three words: Chu. Bei. Jie. You know your character is strong to overcome my initial wariness. At first, I thought Bei Jie was arrogant and a bit hands-y. But dude is devoted, not just to Ping Ting, but to his army. He appreciates loyalty and gives it in return, especially to his right-hand man, Mo Ran. He’s truly picking up the slack in this Chinese drama.
It Takes Two To Make A Thing Go Right: Unbalanced Romance in The General and I by CeeFu is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
“그런 날 [Disappear]” is from Niel‘s second solo album, Love Affair (2016). A member of Teen Top, Niel showcases his vocals on this track. Who knew Niel could get down like that?
Source: YJzKP. “NIEL(니엘) – 그런 날(On that day)[LOVE AFFAIR…](MP3).” YouTube. 15 Jan 2017. https://youtu.be/ccAuU783NKI, (21 Jan 2017).
Fan hierarchy, which use criteria to declare some fans “better” than other fans, is not unique to K-pop. Nevertheless, it distorts the realities of fan dynamics in K-pop.
It is no secret that Korean fans feel some type of way about global fans, and vice versa. For example, many global fans are multi-fandom, which means they are fans of multiple K-pop groups. This differs from Korean fans, who tend to support only one K-pop group. harmonicar suggests that domestic fans are justified in their approach to fan activity: “Seeing idols and supporting their group is a normal part of daily life, and as it is, it[sic] many Korean fans feel like international fans don’t “support” their groups as much as domestic fans do; and it only makes matters worse if one is seen jumping group to group during active promotions. With the competition being so cutthroat, it’s understandable that domestic fans feel salty when they see temporary visitors spreading their loyalty so thin, but reaping all the benefits” (soompi).
While it seems that the writer is merely comparing two different approaches to fan activity, the comparison actually implies a fan hierarchy that places domestic fans at the top. Kristina Busse argues that fan hierarchies are in part based on the idea “that one could fail to be a . . . a good-enough representative to the outside” (73-4). This type of hierarchy places emphasis on “their particular modes of engagement” (74). In the domestic vs. global fan comparison, the behavior of global fans is questioned because it does not conform to the behavior of domestic fans. The piece implies that the concerns of domestic fans are valid: Korean fans do more, so they are the better fans AND can dictate proper fan behavior. This suggests a degree of policing motivated by “a clear sense of protecting one’s own sense of fan community and ascribing positive values to it while trying to exclude others” (Busse, 75).
In the case of global fans and domestic fans, the issue of “support” is used in an exclusionary way. harmonicar implies that the kind of support that domestic fans render is “better” than the support of global fans because it is directed towards only one group:
Domestic fans are expected to invest, both with time and money, heavily into their idols. A CD, concert, random festival, or musical announced? Fans buy or attend every single one. A member gets casted for a drama? Fans watch every single episode. A new album, title track, or OST is released? Fans stream nonstop. Your group is actively promoting on music shows? Fans wake up at 4 a.m. and stand in line for hours, just so someone will cheer for their group at recordings. Because of the level of active involvement required to properly [italics mine] support one group, many fans don’t have resources to support more than one; and loyalty towards a single group is valued in fan culture.
I argue that fan support is used to exclude and police in this instance. Who expects fans to “invest, both with time and money?” I offer that it is fans themselves that have this expectations. More and more artists are asking fans to cut back on their material support of groups. JYP Entertainment recently limited fan gifts to “birthday and anniversary banners/ letters/ message books/ documentation of donation/ meals and snacks.” EXO‘s Lay is quoted as saying: “We don’t care if you aren’t able to buy our albums, it’s not something you are forced to do. When you have money to spare, that’s when you can purchase them. Just because you don’t buy our albums doesn’t mean you are not our fan. If you like us, you’re our fan. Spending more money does not mean you love us more.” There are other ways to support a K-pop group.
In actually, K-pop artists actually need both domestic and global fans to be successful. K-pop artists come from Korea, where they make the music. They are expected to do promotions in their own country, which domestic fans support. Global fans love to see their appearances on the music shows too. However, groups are increasingly making fan support available for global fans. For example, Shinhwa recently promised a dance version if views on the MV “Touch” reached over 5 million views on YouTube. Many global fans have access to YouTube and could certainly view the video, as well as appreciate the dance version when made available. One only needs to look at the increased efforts by K-pop groups and solo artists to appeal to and develop fanbases in other countries. Groups are increasingly more international, featuring non-Korean members and having other members know other languages. They are making content available to more platforms accessed by global fans. They are performing in more global locations.
Realistically, K-pop, which is a form of popular music defined by its outreach to global audiences, cannot sustain itself solely by relying on the South Korean market, no matter how much fan support domestic fans give. Implying a fan hierarchy only plays into the stereotype of strife and conflict between K-pop fans and overlooks the realities of K-pop fan culture.
“EXO shared Sebooty Lord’s photo.” Facebook. 7 Jul 2016. https://www.facebook.com/EXOKandM/posts/1339783326036428, (16 Jan 2017).
“JYPE’s New Policy Regarding to Support Items.” 2PMEDIA. http://2pmedia.blogspot.com/2016/03/jypes-new-policy-regarding-to-support.html?m=1, (16 Jan 2017).
Kristina Busse. “Geek Hierarchies, Boundary Policing, and the Gendering of the Good Fan.” Participations: Journal of Audience and Reception Studies. 10.1 (2013): 73-91. http://www.participations.org/Volume%2010/Issue%201/6%20Busse%2010.1.pdf, (16 Jan 2017).
Fan Hierarchy and K-pop by CeeFu is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
“Spider” is from VIXX’s 2015 album Chained Up.
Video: kaiuos. “VIXX (빅스) – Spider (Colour Coded) [Han|Rom|Eng Lyrics].” YouTube. 11 Nov 2015. https://youtu.be/1qBYmiaCgH4, (8 Jan 2016).
I’m not going to lie. When I started General and I, I was not all that enthusiastic about the male lead character, Chu Bei Jie (Wallace Chung). Although I know he’s supposed to be our hero, he starts out doing some HIGHLY QUESTIONABLE things: his interaction with the Prince of Jing An’s family, the way he rolls up on Bai Ping Ting (rude!), and his overall smug attitude. And I know this is petty, but there was way to little warrior hair. He completely lacked the charm of Tuoba Jun in The Princess Weiyoung, which I just finished. However, with just one speech to his army sticking up for his girl, I like him! No matter what she does, he’s committed to her. He doesn’t care what his own king, the king of Yan or pouty Prince He Xia thinks. Plus, he’s got problems of his own in the palace in Jin. I got my eye on you, Bei Jie!
TRAX (Typhoon of the Rose Attack on X-mas), known for its more driving tracks, slows it down for “아직은 나 [I Can Change],” from their mini-album, Cold Hearted Man (2010).
littlestarzeo. “TRAX_04-아직은 나 (I Can Change).” YouTube. 19 Nov 2012. https://youtu.be/POXY0nc0aec, (27 Dec 2016).
“Viva” is a track from TVXQ’s 2012 Catch Me album.
Video: Oumae24. “TVXQ – Viva.” YouTube. 23 Sept 2012. https://youtu.be/a4WZ4NcYde0, (8 Jan 2017).
“Highlight,” an upbeat dance track, is from Seventeen’s 3rd mini album, Going Seventeen.
WINGS K-pop Music Group. “SEVENTEEN (세븐틴) – HIGHLIGHT [MP3 Audio] [Going Seventeen – 3rd Mini Album].” YouTube. 4 Dec 2016. https://youtu.be/qWqxHSbExXk, (27 Dec 2016).
UP10TION departs from their usual upbeat tracks for “Just Like That,” from their 2016 mini-album, Burst, which has a slower tempo, sparse instrumentation and focuses on vocals.
Kpop Dls. “[AUDIO/MP3/DL] UP10TION (업텐션) – JUST LIKE THAT [5th Mini Album – Burst].” YouTube. 20 Nov 2016. https://youtu.be/fP5cotQJ9d4, (26 Dec 2016).
While this C-drama revolves around the titular princess (Tiffany Tang), it’s really the relationships that drive the narrative. The relationship between Weiyoung and Tuoba Jun (Luo Jin) is unbreakable, while other couples fail miserably.
One of the things that makes the Weiyoung and Tuoba Jun’s relationship so strong is that they are individuals in their own right. Weiyoung starts out as a princess, a little willful, but with a strong sense of justice and personal loyalty. She never talks down to the servants and respects her father and grandmother. She’s been educated, and this will come in handy after her family is murdered and she finds herself in The Great Wei, seeking justice for her family and her people. Even under these circumstances, Weiyoung is shrewd yet kind. She treats her servants like sisters, and stands up for others.
Most importantly, she’s not just a pretty face. Weiyoung is smart. She’s like Sherlock in her ability to unravel the complicated schemes against her. They come fast and furious; it’s like, “It’s Tuesday, someone must be trying to kill me.” She’s also brave, talking back to the Emperor on the regular, especially when wrongs have been committed. She takes all of the negative insults people hurl at her and remains her own person.
Surely it is these characteristics that make her attractive to Tuoba Jun, who isn’t too shabby himself. Although he is a member of the imperial family, he lacks their ambition and violent tendencies. The year he spends roaming the world allows him to have more connection to regular people, and he feels for them. The Emperor talks about his people, but it’s Tuoba Jun who risks his own life to help them. Tuoba Jun is a cheery guy! He has a sense of humor, messing with his servants and Weiyoung. Most of all, he is consistent and persistent.
Admittedly, it takes what seems like forever for Weiyoung to recognize and respond to Tuoba Jun’s charms, but once they are a couple, they are ride-or-die. They work together. Tuoba Jun never belittles Weiyoung because she’s a woman, and Weiyoung never thinks that Tuoba Jun is weak because of his compassion. Tuoba Jun is vocal about his support and love of Weiyoung, and Weiyoung explains over and over again her loyalty to Tuoba Jun. They believe each other, and even when it looks like their love will fail, it comes back as strong as ever. They are committed to each other.
This is something TeamEvil fails to recognize, which is why their schemes always fail. The more they try to tear them apart, the stronger they get. Who is on TeamEvil in The Princess Weiyoung? Although they often act independently, there are several members who view Weiyoung as a threat or want to possess her.
First Lady of TeamEvil is Chang Le (Li Xin Ai). From birth, she’s been groomed to believe that she’s the best in the world. She cannot tolerate others even getting a little bit of attention. She is actively beating others down in the Li household, and her prime target is Weiyoung. It gets worse when Tuoba Jun returns from his year of living dangerously. While he’s been gone, she’s been fantasizing about marrying him and ingratiating herself with elders to look like the ideal wife for him. However, by the time Tuoba Jun returns, he’s not giving her the time of day and Chang Le blames Weiyoung. In truth, he was never interested in her. She lacks the confidence and compassion of Weiyoung, and uses her powers for evil. Chang Le goes to crazy lengths to get rid of Weiyoung and look innocent in front of Tuoba Jun, but he knows about her evil ways.
Second-in-command on TeamEvil is Chang Ru (Mao Xiao Tong). She looks like she’s just as sweet as Weiyoung, but she’s even more scheming than Chang Le! Working in the shadows, she initially manipulates others in order to be recognized by Tuoba Yu (Vanness Wu). That sometimes coincides with helping Weiyoung. But like Chang Le, Chang Ru comes to see Weiyoung as a threat, and as a result, targets her for her machinations. She blames Weiyoung, first for “bewitching” Tuoba Yu, then for rejecting him. In both scenarios, she fails to blame Tuoba Yu, who pursues Weiyoung in an extreme case of one-sided love.
In some ways, Chang Le and Chang Ru are different. Chang Le wants to marry Tuoba Jun as much for his power as for his personality. It’s about being gaining fame for herself and lording it over others. Chang Ru only wants to be recognized by Tuoba Yu. Her needs are few; she’ll settle for being a consort (maybe even side-consort?). But, both fail to recognize that they are the problem. Chang Le is an entitled wench. She doesn’t care about Tuoba Jun; she just wants him as a possession. Chang Ru blindly pursues Tuoba Yu based on an incident from their childhood. They also fail to define themselves outside of these men. This is why Tuoba Jun and Tuoba Yu don’t reciprocate their feelings, and why the schemes of Chang Le and Chang Ru often fail. Both Chang Le and Chang Ru pursue the wrong men for the wrong reasons.
A surprising member of TeamEvil is Tuoba Yu (ok, not so surprising, given that he’s evil). While the women are all in their feelings about the men, Tuoba Yu is the same way about Weiyoung. Even though Weiyoung makes it clear on multiple occasions that she has no interest in him, he continues to pursue her. While Tuoba Yu seems to care about Weiyoung on some level, he, like Chang Le and Chang Ru, only wants to possess her. He doesn’t care about her thoughts and feelings. He only continues to save her so that he can, at last, say that she is his.
Meanwhile, Tuoba Jun and Weiyoung’s relationship withstands everything TeamEvil throws at it. They continue to love each other through attempts to poison Weiyoung, implicate her in national scandal and reveal her true identity. Even when she loses her position, she rises from the ashes. And right beside her is Tuoba Jun, always. In one scheme where it really seems that Weiyoung is the culprit and done for, Tuoba Jun says, “Even if she did this, she has her reasons. I believer her.” They believe each other, through extreme circumstances, because they are two individuals in a relationship who respect and trust the opinion and intelligence of the other.
TeamEvil pursues the opposite of what Weiyoung and Tuoba Jun have: a relationship based on mutual respect.
Solid As A Rock: True Love in The Princess Weiyoung by CeeFu is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Tuoba Jun (Luo Jin) is one of the male leads in the Chinese drama The Princess Weiyoung. He has quickly become one of my favorite characters of all time. Why? It’s not just because he’s attractive (in a C-drama, that’s a given). His character is very charming, unlike other members of the power-hungry and scheming royal family (looking at you, Tuoba Yu (Vanness Wu). It’s probably because of his disinterest in the throne that he’s able to see the positive characteristics of Weiyoung, and value her intelligence and her loyalty. What really makes his character great is his constancy. He is down for his girl Weiyoung, no matter what goes down. No matter how much evidence #TeamEvil creates to frame Weiyoung, Jun is always on her side. He was also persistent! When he pursues Weiyoung, he is not fazed by her rejection, even when she was not even trying to give him the time of day. At first he was disheartened, but then he just made up his mind that she never means what she says, and would just mess with her until she acknowledged that she liked him too! He has no problem showing her that he likes her, and doesn’t care that she’s not from the royal family. Weiyoung experiences nearly every level of society in the Great Wei, and Jun is with her no matter what. I love that man!
C-dramas are bringing us male leads that are super smart and highly attractive. Despite their socializing issues, they still manage to provide the romance that draws many of us to Asian dramas. Both Bo Jiyan (Wallace Huo) in Love Me If You Dare and Ji Bai (Wang Kai) in When A Snail Falls In Love are very good at their jobs, a little awkward with relationships and all the way adorable.
Jiyan’s interpersonal skills rank at -32 on a scale of 1 to 10. He’s a criminal psychologist who specializes in catching serial killers and even has had a run-in with one himself. He sees significance in seemingly irrelevant clues that others miss at crime scenes. He uses his powers of logic to predict the motivations of criminals and catch them, all the while making police officers look at idiots.
At the same time, he has some adorable traits that make him human. His relationships with his sidekicks are adorable. They include his particularly rambunctious pet turtle, Chen Mo (uncredited in the drama), his human friend Fu Ziyu (Andrew Lin) and his eventual girlfriend Jian Yao (Ma Sichun). While Chen Mo makes few appearances, they are always memorable. Apparently, Jiyan lets Chen Mo roam on his bed while he sleeps, but Chen Mo often ends up in other places too. In one episode, you can hear Chen Mo knocking over stuff, so Jiyan puts Chen Mo on a punishment by confining the turtle to a room (sad).
Fu Ziyu is Jiyan’s connection to people. Far more sociable, he is understands his strange friend the best. He, coincidentally, is also smart and attractive: a computer genius who also seems to be independently wealthy and has an affection for extreme sports. Jian Yao, while not a genius like the other two, brings some much-needed humanity and emotion to their world. The fact that Jiyan has close relationships with them, despite making everyone else in law enforcement feel inferior, shows that he does have a heart. Jiyan will occasionally crack a joke, but when you mess with his people, he is all business.
Ji Bai may not be a genius like Jiyan, but he has more social skills. He is respected by the members of his squad and jokes with his second-in-command. He’s also fashionable and jet-setting. He does the impossible as a cop (see the episode with the grappling hook), and knows how to solve a case using evidence and interrogate suspects. Yet, it seems that he is all cop all the time. So intense! This can put a damper on his relationships, especially with his love interest, Xu Xu (Wang Zi Wen). Initially, he takes the “I’m going to pick on you” route, which turns into romantic feelings. However, he tends to rely on their boss-not boss relationship to express his concern. This makes him s kinda socially awkward also. Like Jiyan, he shows his emotions when his people get hurt.
Both Jiyan and Ji Bai represent an increasingly popular kind of male lead, defined by their intelligence. They both have emotions, they just don’t show them, at least until they run across their respective love interests or when their people are threatened. They’ll engage in action, but the main focus of their dramas is suspense and mystery. All of this makes them super in a different kind of way.
There are many aspects of Scarlet Heart: Ryeo that make it a worthwhile K-drama to watch, but there is one that is quite annoying. Hae Soo (IU) is the female lead that drags this K-drama down. This is not a criticism of IU, who is supercute and an expert in the wide-eye closeup. This is also not an indictment of any of the actors who play the princes (Oh, I see you Wang So (Lee Jun Ki); there’s another post coming with your name on it). I know this is a remake of a very popular Chinese drama, but the female lead character was pushing all of the wrong buttons!
I’m always willing to suspend my disbelief for a K-drama, but Hae Soo pushes this to the limit. I can understand that, like any character who gets sent back to the past, there is a period of adjustment. After all, you are in an unfamiliar environment. But at some point, you just have to suck it up. You are not going back to your time period any time soon. Very often, you have two choices: either lay low or get in the middle of things. Hae Soo’s problem is that she does a poor job of laying low, and her actions repeatedly put her in the middle of things. She acts like she doesn’t know how things are going down in the palace. Girl, this is Goryeo! Get it together!
Once in the past, Hae Soo takes no responsibility for the way her actions cause harm to other people. She blames others, mostly Wang So. For example, she admits early that her grasp of ancient Korean history is spotty, yet she does not question the glimpses of “the future” she gets. She immediately believes that Wang So is going to be a villain, despite the character of the man who is actually before her. In the end, it is actually HER actions that cause a lot of the tragedy in the K-drama. It’s Hae Soo’s fault that So doesn’t just get rid of Wang Yo (Hong Jong-hyun) when he had the opportunity, which would have prevented later tragedy. She constantly tells Wang So not to kill his brothers. Guess what? Some of them gotta go. It’s Hae Soo’s fault that Wang Eun (Baekhyun) and Soon Deok (Z. Hera), aka. The Baby Couple, are killed. She just leaves all kinds of evidence out in the Damiwon for Yeon Hwa (Kang Han-na) to find. It’s Hae Soo’s fault that the Crown Prince (Kim San-ho) also meets an untimely end as a result of Hae Soo being the world’s worst supervisor. For Hae Soo, everything that goes wrong is all Wang So’s fault. Wang So is literally the only person who pretty much doesn’t kill anyone for the wrong reasons, but gets all of Hae Soo negative judgement. He, may I remind her, never killed his brothers in the way she assumed he would.
What is worse, she lets other people off. She never corrects Wang Jung (Ji Soo) for his ungrounded negative attitude towards Wang So. They were all standing there when The Baby Couple met their end, but Jung decided not to focus on the fact that Yo’s men kill Soon Deok and Wang Yo himself shoots Wang Eun with two arrows. He also seems to repress Wang Eun’s death request. His takeaway is that So caused all the bloodshed, just by showing up way back at the beginning of the K-drama. Hae Soo never tells Jung that he’s wrong. Wang Wook (Kang Ha-neul) is part of an attempted coup and is the mastermind behind the death of the Crown Prince, working in villainy with Wang Yo. Yet, Hae Soo never criticizes Wang Wook the way she criticizes Wang So. When she leaves the palace, it’s a warm hug and smiles for Wook, like they are good buddies.
On the other hand, it’s always the side-eye for Wang So. I’m not saying that he should have rolled ChaeRyung up in a rug, but I understand. And he outlines all the ways ChaeRyung has proven not to be a friend to Hae Soo, but she’s not trying to hear it. She seems to buy ChaeRyung’s “I did it for love” excuses and blames Wang So for ChaeRyung being used as a pawn by Wang Wook and Wang Won.
Others have suggested that the Korean version of this drama is pretty true to the Chinese original. There’s an online petition to get a second season. Nooooooooooo, not if the writers don’t tweak Hae Soo’s character. It’s not like Korean writers haven’t done it before when doing remakes (Boys Over Flowers, anyone?). I need Hae Soo to be “ride or die” with Wang So or Wang Wook or somebody other than herself. One true thing that Jung told her is that she needed to pick a side. She could have been an advisor to “the good brothers.” She could have been more like Ji Mong (Kim Sung-kyun). Instead of trying to be neutral (which never worked), she should have picked a side, or at least more actively tried to keep the brothers brotherly if she knew bloodshed was in their future. Instead, she’s too busy trying to kindle a romance with Wang Wook (as his wife is dying, REALLY?!!! Did we actually think that would end well?) and overlooking his opportunistic tendencies (he was shady from the start). While Wang Wook breaks promises, So is doing the heavily lifting, showing her that he likes her, being at her side and getting exiled for it. In addition, she did nothing to help Soon Deok with her relationship with Wang Eun, because, sadly, Hae Soo is all about Hae Soo if you’re not a prince.
Don’t get me wrong, I liked Scarlet Heart: Ryeo, but Hae Soo has just hit number one on my Most Despised Female Character List!
I’ve slipped into the shining diamond life with Seventeen and their repackaged album, Love & Letter! The group’s strategy is to not only use the power of the numbers, but also their unique sub-units, divided into the vocal team, the hip-hop team and the performance team. The repackage provides some delightful versions of Seventeen’s songs.
Upbeat title tracks, “아주 Nice” and “Shining Diamond” make for good material for the performance team. I really like the use of the horns on “Nice” and the pop sound of “Shining Diamond.” On the repackage album, though, other tracks showcase the vocal and hip-hop teams, including rearranged versions of previous songs so cleverly done, I didn’t even recognize the originals. The hip-hop team version of “만.세[Mansae]” has a completely different beat than the original. The vocal team’s version slow jam-y of “아낀다[Adore U]” sounds nothing like the original, and that’s not a bad thing.