Why Kpop NEEDS Shinhwa To Make A Comeback «

 

“Shinwho?”

That’s what I saw one netizen post in response to the recent rumors of a Shinhwa comeback. For shame!  While I am ecstatic about the possibility of a Shinhwa comeback, there are skeptics, and worse, those who don’t even know about Shinhwa. Let me tell you something right now: a Shinhwa comeback is an earth-shattering event that would transform the Kpop world forever…….click on the link below to read more.

Why Kpop NEEDS Shinhwa To Make A Comeback «.

Published on hellokpop.com June 22, 2011.

Blind To The Fact: Recent Criticism of Kpop «

 

I would love nothing more than for all of us to hold hands and sing songs around the campfire. But that’s hard to do when some of us don’t tell the whole story. About three weeks ago, Esther Oh threw down the gauntlet, declaring Kpop’s “global domination” to be a myth in her online article, K-pop Taking Over the World? Don’t Make Me Laugh. In its wake, other writers have weighed in on the state of Kpop.  Some know what they are talking about, and others, well, not so much. What bothers me about those who don’t is that they dismiss the heart of Kpop:  the fans. I just think if you are going to talk about Kpop and its global reach, you have to talk about the fans…..click on the link below to read more.

Blind To The Fact: Recent Criticism of Kpop «.

Originally published on hellokpop.com on June 16, 2011.

Boys AND Girls: The Curious Case of the Co-ed Kpop Group «

 

The co-ed group in pop music is as rare as a four-leaf clover, so I’m not surprised that there are few mixed Kpop groups. However, some brave souls always attempt to stake their claim as a co-ed Kpop group. Sometimes it works well, and sometimes it doesn’t work at all…..click on the link below to read more.

Boys AND Girls: The Curious Case of the Co-ed Kpop Group «.

Originally published on hellokpop.com on June 12, 2011.

The REAL SM Entertainment Conspiracy

Originally published in July 1, 2011 by CeeFu

People, you have been fooled! SM Entertainment has distracted you with multi-year contracts, lawsuits and tales of exploitation, but I know what the REAL conspiracy is.

Are you ready?

SM is CLONING idols!!! YES!  I am 84.7 % positive that SM has a team of scientists whose sole job is to clone idols. You haven’t noticed a slew of attractive Korean men who have cheeky cheeks and sing really well? Look!

Exhibit 1: Hye Sung of Shinhwa

Cheeky cheeks? Check! Pouty lips? Check! I suspect that Hye Sung is really the original, from which SM is taking genetic material for other idols. He is quiet and seems fairly sweet, and some have referred to him as a prince. These are things we will encounter with the clones. Oh, and let’s not forget about his singing ability!

Exhibit 2: Young Saeng of SS501

Wait, you may say. SS501 is not an SM group; they were with DSP and are now in separate agencies. Oh, but don’t you remember that back in the day, Young Saeng was an SM trainee?! Note the similar cheeky cheeks and pouty lips.  Young Saeng is the quietest member of SS501. And what do they call him? The Otter PRINCE! SHY PRINCE! Oh, and don’t forget HIS ability to sing!

Exhibit 3: Yesung of Super Junior

C’mon, do I have to say it? Cheeks. Lips. LOOK AT HIM!!!  Oh, and what do they call him? THE CLOUD PRINCE OF SUPER JUNIOR! But the cloning wouldn’t be successful if he couldn’t sing:

SM isn’t even trying to hide it! They barely bother to change names from one clone to the next: Hye Sung, Young Saeng, Yesung! C’mon people! Wake up and smell the conspiracy! They make little changes so you don’t notice. They put them in groups so that you can’t focus on them. I’ve been taking one for the team, scrutinizing these guys to bring you this breaking news! And SM is smart. These aren’t exact duplicates. They make a little alteration here, a little change there, so the general public will not notice. I’m not saying that they are the SAME; I’m pretty sure that I’ve seen Young Saeng and Yesung in the same room. People can independently vouch that Hye Sung and Young Saeng are NOT the same person. But, I am 84.7% positive that we are working with the same basic genetic stock here.

However, I must say, I don’t mind this conspiracy. I can accept as many cheeky cheeked, pouty-lipped idols who can sing as SM can produce.  You don’t think this is merely my imagination, do you?  This isn’t at all like that other thing about Taeyang and Jay Park being the same person. I think we’ve all accepted that’s a fact.

Photo Credits: triplesphilippines.blogspot.comfeel-amane.blogspot.comkikonyon.blogspot.com

Video Credits:
Young Saeng Sings Bogoshipda,http://www.youtube.com/watch?v=T7UuV3_wi-Y

Shin Hye Sung Sings You Raise Me Up, http://www.youtube.com/watch?v=6uDz8bacqlM

Yesung Sings Polaris, http://www.youtube.com/watch?v=hAMee_8J85s

Polishing My Tiara, or What It’s Like Being An Orange Princess Today

Originally published on KPK: Kpop Kollective on June 22, 2011 by CeeFu

Yeah, I know all the cool kids are into SNSD and Super Junior and BigBang and SHINee. I like them too. You get to see them doing stuff nearly every day.   But it takes commitment to be a Changjo, a fan of Shinhwa, an Orange Princess.

Cassies always keep the faith and all, but try being an Orange Princess. It is no secret that I LOVE Shinhwa. How do I love thee? Let me count the ways: Andy, Eric, Dongwan, Minwoo, Hyesung, Jun Jin:

While I love the individual members of Shinhwa, you know there is always your bias.  You hear that, Andy? It’s you and me, baby, YOU and ME! It’s true, I have a thing for the maknaes:

Because Shinhwa is “inactive” and scattered across the Kpop universe, it takes a certain amount of determination to keep the love alive. Ok, not really, because there are so many reasons to love Shinhwa that are not affected by space and time. One of the reasons why I hold Shinhwa so dear (you know, other than the fact they are very attractive and talented men in THE legendary Kpop group) is the sheer diversity of musical styles they attempt.  Like most people, I have playlists on my IPod, and one of my playlists is Kpop, of course. It’s huge, but it never fails that when some song comes on I can’t place, the answer is ALWAYS Shinhwa.

Who is that with the gospel-esque track laced with some rap? Shinhwa! They get all revival-y with this one. My Everything is a song that always throws me, especially when I forget which playlist I’m on. Fo’ real? You go!

Who is that with the classical intro that turns into heavy metal that turns into a rap? Shinhwa!  All Your Dreams is the kind of song you want to blast on your boomin’ system in the car, just to see people’s faces when they pull up next to you at the light. Is that guitar AND Korean rap? The only thing better than this is the remix, which is heavier in all the best ways.

Who is that with the groovy dance track? Shinhwa!  Oh. this applies to so many songs, but one of my favorites is Thanks! I do wish there was some video for this, but it is one of my favorite songs by them, so enjoy!

Who is that with the dance-y dance track? Shinhwa!  I’m still trying to convince the rest of KPK to start a dance cover group so that we can get our own chair dance on like Shinhwa does in Wild Eyes!  Why are you looking at me like that? Look, I got a chair right over here…..Why do they think it’s such a weird idea?

Who is that just having a little chit-chat in Korean? Shinhwa! Who else would think they could get away with some conversation in Korean like the one on Tansaeng? Dudes, I don’t even KNOW Korean!!!! What are you talking about? Whatever it is, it seems awfully funny, and I’m steadily listening to whatever Shinhwa is putting down on that track!

This small sampling of Shinhwa offerings is not just representative of the wacky stuff on my IPod. It shows the sheer diversity of stuff Shinhwa did in their 13 (and counting) years. They literally hit every musical genre on the planet, except maybe for monk chants, and I’m not sure, there may be one tucked away on some Shinhwa album not in my heavy rotation. In a day and age where some groups are so careful to try to meet the expectations of listeners, Shinhwa reminds me of what it was like to set the expectation.

Oh yeah, and I’m waiting for my comeback, patiently waiting, but waiting nonetheless. My tiara is all ready.

So, Shinhwa, where you at?

NFT: Noonas For Taemin!

Originally published on KPK: Kpop Kollective on June 15, 2011 by CeeFu

Everyone knows that noonas the world over have a special relationship with SHINee, and particularly Taemin. I’m not talking about THAT kind of relationship! All noonas are not pedi noonas! As the maknae of SHINee, Taemin is the adorable center of the confection that is SHINee (yeah, Minho, I know you are in charge of aegyo, whatever).

Look, even Key mommy looks after Taemin. So easily does Taemin capture anyone’s heart, that we here at KPK we have dubbed him THE EVERYBOO, because he’s everybody’s boo!

So, I call on noonas from around the world to start a quasi-secret organization, and it will be called NFT, Noonas For Taemin! We would be like the Justice League, and when Taemin needed us, our sign would appear in the sky like the spotlight for Batman. Ok, I know don’t what our logo would look like, somebody would have to come up with one.  Ooh ooh, and we could have t-shirts and a secret gang sign!  And we’d roll like the Jedi, because “always there are two, a master and an apprentice.” Also, rolling in twos would be good for the noonas. Ok, here’s how it breaks down with Taeminnie. We all adore this Taemin:

Super cute smile sure to brighten up your day! This Taemin will give noonas candy. But then there is the OTHER Taemin. You know the one. THIS Taemin:

Yeah…..so in order for noonas to do their job properly, we need to roll in sets of two or more. Let’s face it, Taemin is a good-looking guy. At any age. But noonas only appreciate the pretty that is Taemin, at least until when the international countdown clock on Taemin’s age ticks down to legal……Ok, FOCUS! NOONAS LOOK OUT FOR TAEMIN! We do not take advantage of him like OTHER women will surely try to!

But you may ask, what does Taemin need to be protected from? And why are noonas the best people for the job?

Taemin needs to be protected from the crazy and evil of the world. He is such a sweet soul, going about his business, thinking about candy and puppies and rainbows, and then something like THIS busts out on the internet:  SHINee’s Little Taemin Gaining Weight?”  See, no. Do not try to give this boy a complex about his weight. He’s still growing, of course his appearance is going to change. He is perfectly fine any way that he is. THIS is why noonas need to protect Taemin. Only a noona would get all up in some stranger’s face over somebody she doesn’t even know. Remember, candy? That’s right. Noonas have a bond with Taemin and are tailor-made to be his protectors!

And, we could have adventures with our sidekick, Key mommy! Ok, let’s be real, we’d all be the sidekick to Key mommy. But still! Imagine us all united in purpose to protect Taemin! Now, all somebody has to do is tell Taemin and we can get this party started.

What do you think? 🙂

Goemon (2009)

Source: http://www.mtime.com

Oh, my Netflix peeps tried to steer me wrong! I almost did not watch this Japanese movie about the major historical shifts preceding the Tokugawa era. They talked much smack about this movie: bad dubbing (Oh, I’ve heard WAY worse!), craptastic special effects, and no plot.

Are we watching the same movie?  I remember reading some comments that said the effects were Sin City meets 300.  Actually, the mixture of live action and CGI reminded me of Casshern, except this movie had a plot that was not sacrificed for the effects.  You also just have to go with the visual mixing they do; I’ve never seen kimonos like that!

I was initially all about the ninjas, because, let’s face, it’s hard not to be. But the minute I heard his name, I knew this was no ordinary movie:  Hattori Hanzo. This just got interesting…..WHAT! Tokugawa Ieyasu? OBU NOBUNAGA!! Oh this is more than just about some Japanese Robin Hood type. I would recommend it for some Saturday afternoon movie watching.

Oh, and I found myself watching one ninja in particular, Saizo. I knew I saw him somewhere else, and sure enough, he was in Hana, one of my favorite “I’m a samurai, but I don’t want to be a samurai” movies.

Source: http://j-entonline.com

Taeyang IS Jay Park!

Originally published on KPK: Kpop Kollective on June 10, 2011 by CeeFu

We have a theory here at KPK, and I think the world should know. We believe that Taeyang IS Jay Park. Have you ever seen them together? Yeah, think about it. Hmmm, Taeyang is a Korean artist who raps and works out a lot (we can tell, look at this picture! you don’t get abs like that unless you got a lot of time on your hands and you are on a mission)

Stay with me…..soooo Jay Park is a Korean artist who raps and works out a lot (that’s a “I’ve been working out in the prison yard” physique. C’mon, where else can you get your tats and abs on?)

See! You can’t even tell that’s Jay Park (because, you know, it’s Taeyang, BECAUSE THEY ARE THE SAME PERSON!!!).

Really, I tease with love. But Jay Park’s album cover for “Take a Deeper Look” does bring up some interesting issues. Not only can you not tell it’s Jay Park/Taeyang, but you can’t even tell that this person is Korean. He’s definitely working a 50 cent kinda thing here. This could be my cousin. He could be anybody’s cousin. I guess that’s why he wants us to take a deeper look!

But is it intentional, to gain more support for Jay Park for people who may think they may not be into an Asian rapper? Just sayin’. Something to think about.

Meanwhile I just wonder how Jay Park and his other personality Taeyang split their profits! 🙂

Tracing Shadow (2009)

I can’t exactly say I like Francis Ng. But, weirdly, I do look forward to the crazy characters he plays. Need a weird, awkward, alcoholic, pathological anti-social pyschopath? Then Francis Ng is your guy! I first became aware of his unique talents in Young and Dangerous. Dude does not-right RIGHT!

So imagine my glee(?) when I heard he was teaming up with Marco Mak for Tracing Shadow, billed as a wuxia parody. To its credit, I think it is shot better than you would anticipate a dramedy of this kind to be. It’s pretty and the martial arts choreography, wire work and swordplay is better than I would have expected.

Francis Ng, Tracing Shadow, Credit: http://beyondasiaphilia.files.wordpress.com/tag/tracing shadow

To be honest, you are not going to find anything new in this if you’ve seen even a sprinkling of wuxia films. It didn’t make me laugh out loud, but it did make me smile.  It wasn’t over the top crazy like mo lau tai wuxia comedies, but it had its fair share of subtle humor and just things that didn’t go together in a weird kind of way. Like that impromptu jam between Ng’s character and the eventual object of his affection, in a brothel, to what sounds like a fusion of traditional Chinese music and hard rock. Yeah.  And there THREE crazy things waiting for you in the middle, but unlike other people, I’ll let you find them for yourself. You’ll know when you see them. And THAT made me smile, that I was able to recognize what, or more accurately, WHO, they were supposed to be.   See, watching all that wuxia pays off in the end! Another redeeming factor is that Jaycee Chan is actually decent in this. I’ve seen him in other things, and I don’t blame him because he’s been in roles that didn’t really fit him.  But here, he is actually kinda charming. Good job!

And while I’m thinking about it, can people who write about films please stop heralding the end of Hong Kong film with EVERY film that does not meet some high expectation? Good grief. If I had a dollar for every film somebody said was killing Hong Kong film, I’d be rich. Chill out. Not every film is supposed to be super great. I’m not mad at this. I save that for things have truly no redeeming value whatsoever, and when you think about it, that’s pretty rare.

Don’t Hate The Playa AND The Game: Recent Criticism of Kpop

Originally published on KPK: Kpop Kollective on June 4, 2011 by CeeFu

So, this week I ran across a brief story by Esther Oh on the “failure” of Kpop.  While I’m always open to hearing what others have to say about Kpop, good or bad, I disagreed with several points that she made.  Ok, it’s not just I don’t agree with what she says. What she says is not the Kpop world I know.

First of all, her story had “tone.”  It just didn’t take a position on Kpop, it set out from the get-go hatin’ on Kpop. It’s clear she has no love for Kpop.  She says she “cringe[s]” when she hears about the Wonder Girls or Rain. Personally, I have a different reaction when I hear about Rain, but that’s just ME, and I’m not even the biggest Rain fan in the world.

Rain; Credit: Esquire

That attitude runs throughout the story. She doesn’t think Kpop is all that, and look, according to her, “the world’s biggest music markets simply don’t care” either. As evidence, she takes shots at BoA, who “bombed” despite working with famous music industry types, and Se7en, who produced “complete flops.”  She says that both BoA and Se7en’s forays into the American music scene were “disastrous.” In other words, if a Korean artist fails to break into the American mainstream music scene, this translates into “failure.” By that standard, there are a whole lot of American music artists who are “failing” as we speak, because they are not super popular according to some secret measure. Hey wait, she never says what she means by “failure.” Are we talking record sales? concert attendance? popularity? There are many ways to measure success, none of which she clarifies. I think the popularity of Kpop sites, online fan clubs, twitter accounts and Facebook pages attest that SOMETHING is going on.

What I find very interesting is who she uses as examples of Kpop’s “failure.” She points to BoA and Se7en’s efforts from YEARS ago and ignores one of the most significant examples of Kpop’s attempts to interact with the pop scene in the United States just in December of last year: JYJ, who by measures of even mainstream success did respectable. And what about SM Town Live LA in 2010 that brought the biggest names in SM’s stable to a pretty large American audience?

Also, the United States does not equal the world. Um, the U.S. is part of the world, not the entire world. I looked on a map and checked. Plus, I live here. At the beginning of the article, she claims to talk about the failure of Kpop’s “global domination,” but only gives examples of artists and their experiences in the United States. Given that Hallyu is a global phenomenon, and not one solely directed at the United States, I find her conclusions to be, less than convincing. Especially given the love that other countries have for Kpop: Peru’s love affair with Changmin of TVXQ,  ELFs (fans of Super Junior) in Saudi Arabia, and Paris’ demands for an additional SMTown show.

Finally, there is a slippery slope when she talks about the use of American producers in Kpop. She asks the question:  “BoA and Se7en have sung songs in English that were produced by Americans, and were transformed and marketed (albeit, unsuccessfully) in a way to suit the American public. Is there, therefore, anything that is so specifically and exclusively “Korean” about their U.S. debuts or their music?”  Now, given that she chose two examples of artists who are consciously looking to break into the U.S. market casts some doubt on her conclusions.  But once again she completely ignores international fans who like their Kpop straight outta Korea with no changes, complete with actual Korean. It doesn’t bother us. She implies that Americans want American things, and won’t accept things that aren’t “American.” AND, that any kind of collaboration between US and Korean artists and producers must produce something palatable to the American mainstream. Psst, here’s a not-so-secret secret: Hallyu Kpop has always mixed Korean and Western influences (that’s a WHOLE OTHER POST). She seems to be completely ignorant of how often American producers are involved in Kpop albums and the great collaborations that result.  For example,  Sean Alexander and Steven Lee, producers both based in Los Angeles, worked on Heo Young Saeng’s (of SS501) album, Let It Go.  Yes, that album is SLAMMIN’ and YES, I am biased, but I also know what I like.  That’s some groovy stuff, and it is Kpop.

Esther Oh seems to assume that Americans don’t want Kpop and rumors of its success have been greatly exaggerated. Yeah, I’m taking this article with LARGE grain of salt.  In the end, it just seems to be just a very narrow take on Kpop, especially its international effects. So rarely do you see someone hate the playa AND hate the game.

Boys Over Flowers: Episode 5

I. Love. This. Episode.

I feel like I need to confess something first, before I start talking about the episode itself. For those of you who don’t know me (Nabi), there are two things that I like my male Korean idols to do: have pyrotechnics (read “fire”) in their K-Pop performances, and hit and/or throw things in their videos and dramas. My best explanation for why I love it when these things happen is that I consider them to be very manly things. If a dude gets angry, I expect him to hit or throw something. Hitting or throwing something at another person is a totally different thing, and is only approved of on a case-by-case basis. For example, punching a best friend who snuck around with your girlfriend behind your back is totally cool by me, but punching an old lady on the street for no good reason…not so much. And the fire thing, well, trust me I am NOT a pyro! I do not like to set things on fire, I just really enjoy when fire is present as a special effect.

Why is that important? Because my MAN Jun Pyo kicks some serious butt in this episode, and I LOVE IT. Jan Di is getting torn up by the school kids – some are throwing waterballoons, she’s already been jacked up from the bicycle accident they cause (oh, and her bike is still on fire), and some psycho with a fire extinguisher is using it on HER, instead of on the FIRE. They’re doing this because they think Jan Di went and cheated on Jun Pyo with some dude and now he must hate her, right?

NOPE!

You hear someone yell “SCREW OFF!” and in comes Jun Pyo. He starts throwing punches! He takes one kid’s waterballoon and smacks him in the head with it! He pushes a lot of people! AND HE HITS PSYCHO KID IN THE STOMACH WITH THE FIRE EXTINGUISHER!!!

It gets better.

He goes up to Jan Di, who at this point is semi-conscious on the ground, bleeding everywhere, feeling hopeless because her white knight (Ji Hoo) wasn’t there to save her this time and she certianly didn’t think that Jun Pyo would come back for her. He hugs her to him, tells her that he’s sorry, and lifts her up to carry her to safety. He tells her that he believes her when she says she’s innocent, and she starts to cry. He takes her to his house and helps clean her up, gives her some pajamas and a comfy bed, tends to her wounds some more, and gives her a kiss on the head as a “goodnight.”

I love Jun Pyo. But you already knew this, right? ^^;

So, on to the episode! This one really had two parts to it. Part One is all about the Frenemy, Min Ji. Min Ji is Jan Di’s “best friend” at Shinhwa Academy, and WAY back in Episode 1, she was the girl who accidentally dropped her ice cream on Jun Pyo’s shoe. In the last episode, she proved that she was a frenemy by setting Jan Di up with that Ji Hoo look-alike in the nightclub. In this episode, we get the background story for why she did what she did.

As it so happens, Min Ji went to kindergarten with the F4, and she had a huge, adorable, little-girl crush on Jun Pyo. In the flashback, you see her drawing in her sketchbook with crayons, and it’s a picture of her and Jun Pyo, holding hands. Little Jun Pyo decides to walk to the other side of the playground, and is suddenly stopped by his old nemesis: a bug. He starts ducking and jerking around saying “Go away!” and Little Min Ji runs over to him and uses her sketchbook to shoo the fiend away. She is SO EXCITED to be near him at this point because they are “alone” and she has her drawing clearly held up for him to see. His reaction? He throws the sketchbook on the ground, stomps on it (effectively stomping on her heart), pushes her so that she falls on the ground, and tells her that she’s dumb for thinking she could be with him (Remember, this is Rich Kid Kindergarten, so they are more than aware of their status and their duty to marry someone of equal status). IT’S JUN PYO. HE DOESN’T DO “FEELINGS”! His response to both his and others’ feelings is to squash them and run away. So, that’s what he does.

Little Min Ji cries and cries and cries. But there’s something I haven’t told you yet: she was “ugly” as a child. Here’s a picture of Lee Minho (aka Jun Pyo) with the girl who plays Little Min Ji: 

I LOVE THIS PICTURE! Doesn’t it make you sad to think that this is what “ugly” means in K Drama Land?! So now it gets personal. It’s not just that Little Jun Pyo rejects Little Min Ji, but he tells her to her face that the reason why he doesn’t like her is because she is ugly. He even calls her an “ugly pumpkin.” Remember: Little boy with terrible communication skills.

Min Ji is a little girl with a tender heart that’s easily broken and thus becomes a breeding ground for bitterness and obsession. Which is exactly what happens. A few years later, she and her family move to Germany, and she begins a series of plastic surgery procedures, a few every 2 years, in order to become “beautiful” for Jun Pyo. As a girl from a rich family, her parents are often absent and her servants could probably care less about her. On top of that, she is in a foreign country surrounded by people she doesn’t know, and who don’t know her. AND, she’s undergoing slow transformation from plastic surgery, which means that she needs a LOT of recovery time. So what does she do while she’s in Germany? She sits in her room and thinks about that day when Jun Pyo crushed her heart. She sits and thinks about how she is “ugly” but soon she will be “beautiful” and then Jun Pyo will tell her that he likes her and everything will be perfect.

So, she comes back, enters into Shinhwa high school, and prepares for the day when she will see Jun Pyo and he will fall madly in love with her beauty. Except that her new (and only) friend, Jan Di, is being pursued by Jun Pyo! HOW UNFAIR! Min Ji stewed in hurt and insecurity for so many years, endured so much pain with plastic surgery, and had such strong dreams of a perfect fariytale ending for her Ugly Duckling story, that Jan Di suddenly became a roadblock in her otherwise perfect plan. Thus, she had to be removed from Jun Pyo’s life. All those years of bitterness and pain made Min Ji a bitter and scheming sort of girl, so that’s why she arranged such an elaborate attack on Jan Di’s integrity, instead of just, you know, TALKING TO HER FRIEND AND TELLING HER WHAT’S GOING ON! Jeez.

I really wanted to explain all of that because, at least to me, this is a complex, incredibly human situation. Personal story time! I was a dumpy kid for most of my childhood, and I was always the tallest and often one of the heaviest kid in my class until about 9th grade (that part was not my fault, boys grow so slowly and I LOVED to brag about how I was taller than they were). So there’s that issue that I can personally relate to. On top of that, though, MY heart was stomped on by a kid in my 2nd grade class. Bottom line: if you have a tender heart, do not give a 2nd grade boy a love letter, because he will read it out loud to the class, and everyone will laugh at you. Yes, this actually happened to me. And people wonder why I don’t date…

Back to the episode. Min Ji gets to confront Jun Pyo when Thuglife (Frick and Frack) take her to his house to explain why she faked the photos of Jan Di. Min Ji asks Jun Pyo, “Am I beautiful, now?” Again, another human question! She starts to cry and scream “Say that you like me! Say you like Min Ji! Say it!” That’s all she’s wanted her entire life. Everything has been filled with pain and bitterness since that day, and she’s become obsessed with getting closure on it by finally getting some sort of acknowledgment from Jun Pyo! Now, Jun Pyo is MY MAN, and I love him a lot, but his reaction to her is simply cruel. He tells her that he doesn’t remember that incident, but that he’s sorry it caused her so much pain that she felt like she had to change so dramatically. He does one final slap in the face by saying that at least when she was little she had a beautiful heart and soul, and leaves her crying on his expensive marble floor, empty, broken, and alone.

The next day, Thuglife have put up Min Ji’s before and after photos and spread the story around school (I think they did that, at least, I’m not totally sure because you know that Thuglife doesn’t leave traces of their handiwork). All the students become Jan Di’s best friend…again…and show her the pictures flashing on the plasma screen in the cafeteria. They start to make snide comments about Min Ji and how ugly she was and how mean she was to poor Jan Di. Uh, hello? Wasn’t it just YESTERDAY that you torched her bike and sent her crashing? Min Ji walks into the cafeteria just as one of the girls says “If I was that ugly, I would have committed suicide a long time ago!”

And this is when I love Jan Di. Jan Di doesn’t know that Min Ji is there, so this is completely on her own. Jan Di steps in front of the plasma screen and blocks the pictures. Then she says that everyone in that room has probably had plastic surgery, and that they had plastic surgery when they didn’t need it simply because they wanted to become even MORE beautiful than they already were. “So,” Jan Di asks them, “is it really so horrible that an ugly person uses plastic surgery to become beautiful, too?” LOVE THIS. Jan Di has just defended Min Ji from all of the Plastics when she would have been well within her rights to let her be slandered. Jan Di starts to walk away from the cafeteria and sees Min Ji. Get ready for some more Jan Di love. This is how the scene goes:

Min Ji: I won’t beg you for forgiveness…

Jan Di: *SLAPS HER IN THE FACE, not too hard, though.*

Min Ji: *recovers* and I won’t apologize to you.

Jan Di: *SLAPS HER IN THE FACE, HARD.* I will never forgive you for what you have done.

I LOVED THIS MOMENT! I loved it because while she defended Min Ji from the Plastics, she also didn’t go all love-and-peace-and-sparkles-and-butterflies and completely forgive her for everything she’s done. Min Ji has ruined their friendship, and Jan Di will not ignore that fact. Everything ends with Min Ji leaving a stuffed lamb on Jan Di’s desk, with a message in it about how she was thankful to have her as a friend, that she really liked her, and sings a child-like friendship song. You can tell in Min Ji’s recording that she’s crying, and Jan Di begins to cry too. What this means to me is that their friendship was real and important for both of them, and both of them are going to mourn what they have lost. Hasn’t everyone experienced this kind of sadness?! So many of the moments are just so real in this K Drama! That part, at least, I prefer over the manga – this stuff is believable because it is done in a real way. Mostly.

I know, I know, this post is super long and I haven’t even gotten to PART TWO. Calm down. I’m going to leave Part Two to CeeFu. While I have many, many, MANY things in Part Two that I love (LIKE THE ENDING! Yes, I’d like some of THAT for MY main course, thank you very much!!!!) I wanted to write about Part One because it was so personal for me to watch. So far, I’m totally digging this K Drama! It’s my first one, by the way, and I just may become addicted if there are more out there like this one! 😀

CeeFu, Where is the Asian Film?

Hey, it’s not my fault. Ok, it’s a little my fault, but not mostly my fault. It’s Netflix’s fault! At first, I thought it was my imagination. I was doing other things and my film watching habits suffered a bit. But then when I really investigated, I found out the truth:  Netflix has not updated its Hong Kong film list! The last film is from 2009. Let’s be real: we know there’s been films released in Hong Kong since 2009! For real, and the other Asian regions are even worse!

But that’s not all. I was in the middle of watching the Shaolin series with Sammo Hung, not even in the middle, on the first disc, and Netflix informs me that the other discs are “unavailable.” Wha?

I don’t know what has happened to Netflix. Can’t get new stuff. Can’t get old stuff. It’s putting a serious crimp in my Asian movie watching. I don’t want to get all illegal with it: those people work hard to make those films. So my Asian film watching will have to be limited to my disposable income, and legal online watching venues.

But that doesn’t mean that stuff isn’t coming down the pike. Can you say Shaolin (the movie, you know with Andy Lau and Nic Tse?)? Can you say Blades of Blood? Can you say Stool Pigeon? Netflix, you will not stop MEEEEEEEEE!

Oldboy (2003)

I was eating my breakfast this morning, and it just popped into my head: Park Chan-wook’s Oldboy. Just like that. It’s been a few years since I saw that movie, but it’s kinda hard to forget it. I have it on good authority that the brains of some people have been irreversibly altered by watching it. Everyone remembers sitting on the edge of the couch, the bed, or wherever you consume your film, with one’s mouth open. JUST OPEN! And you are thinking, wha? NO! For REAL! WHAT?!

But it’s not just the ending, it’s the way Park leads you down the false primrose path.This is one of the greatest instances of storytelling I’ve seen in a minute. And making that storytelling even more effective is Park’s use of the camera. I mean, at some point you know something’s WRONG, but you don’t know how WRONG it is until the end. And even then, your brain doesn’t want to accept it. And you can’t figure out who is MORE wrong: the guy who has been inexplicably locked in a room for 15 years, or the guy who does it.

Also, this movie messes with your moral sense. Sure, you can readily identify the complete failure of ethics, the lack of people doing the right thing.But admit it,  you’re also thinking to yourself: I’m a little bit impressed. OK, you gotta be a LOT impressed. This is the epitome of PERSISTENCE! Just sayin’.

And finally, it’s the film that gives much deserved respect to the hammer!

Boys Over Flowers: Episode 4

I have so much love for this episode! It’s packed full of treats and SO much happens. A lot happens in every episode, but I guess that’s what you get when you have episodes that are over an hour long.

Let’s talk about Frick and Frack first: THEY ARE SO THUGLIFE. I love that they ‘tried’ to protect Jan Di (via her friend, who I also loved because she didn’t fall for Frick’s overwhelmingly cute smile!) and then they went about trying to find who was really responsible for the scandal pictures! I know that this was more for Jun Pyo’s sake, but still. At first I was confused as to why Frick was suddenly playing the saxophone and Frack was dancing with the ladies, but then when the scene flashed to a back alley where the club owner (?) was getting beat up, it all made sense – why dirty their hands punching him themselves? They’ll provide the distraction while their minions take care of the dirty work. This was a really great episode for them because they got some more face time!

SS501…I completely forgot that they were supposed to make a cameo in this series, and I’m so glad it was THIS episode! Of course it’d be Baby Joon who would point to Jan Di out of the crowd. I’m kind of sad that Jung Min couldn’t be a part of it (what was he doing at this time? I know it was something…) but I’m glad our other three boys were able to showcase ‘UR Man’ and look so darn good while doing it!

Jun Pyo: I love him. Is there really anything else I need to say about him? Well, yes, because I love talking about him. I felt SO BAD for him when he waited the entire time out in the cold for her, and I really felt sad for him when he came to school, looking great with straight hair (although the man may be the only Korean idol I’ve seen so far who can pull of really curly hair) and a nice school uniform, all dolled up for her, and then he sees the photos and jumps to conclusions – who wouldn’t? – and is just so angry and insulted. Can we also talk about how he went Edo Japan on us with the random demonstration of swordpractice? I’m thinking this episode may have been trying to appeal to a lot of different people: the Green Peas (for SS501), girls who love Edo period anything, and those who want the more musical side to come through (for Frick and Frack). He ended up throwing stuff again. Which I loved. Is that bad? He also looked. so. fine. Just about everything looked amazing on him. Oh no…am I turning into one of the F4’s fangirls?! But I don’t want to wear super short skirts and white knee highs and high heels!!!!

Jun Pyo: there were also a few moments that I did NOT love about him this episode. Mostly one recurring one – why do you always have to grab for the girls’ throats when you want to talk to them? ‘Cornering’ Jan Di against a car is one thing, at least that’s sexy, but grabbing at her tie to make her tell you the truth? Throwing her Fake Friend to the ground after grabbing HER throat? Do not like. This second part I don’t like mostly because he did have a lot of reasons to be upset with her, and he’s not one to hold himself back, but I think it could have hurt her a lot more if he had just straight up ignored her.

Fake Friend: I will say that at least in the TV series she made more sense. In the manga, she’s almost bipolar – at school she’s ridiculously sweet and ‘naive’ (like a unicorn threw up a rainbow kind of sweet), but at the club, which by the way is supposed to be one of those ‘practically a stripper club but anyone can come on stage and shake their stuff’ kind of clubs, she’s overly sexualizing herself while being a complete flirt to the guys and a venomous snake to the girls. At least in the series they toned that down a little bit, and I think future episodes should reveal more things about her. I did believe her when she was asking Jun Pyo “Why is Jan Di okay but not me?”, but we’ll get to that in later episodes.

I tend to like those self-searching questions, ‘Am I really that loathsome?’ and ‘Why is she okay but not me?’ mostly because they are such honest and realistic questions. It’s as if I’ve stumbled onto some recorded diary entry of these characters, and these questions make them suddenly very human. I mean, these are questions that any person who has had a crush can relate to, but they were said so realistically (yep! I’m claiming that they were NOT melodramatic, which is usually the case for TV shows) that for a second I almost feel like they’re real people, too. You know, not just amazingly attractive models who are acting these specific roles in a staged television series.

Jan Di: Believe it or not, although most of the time I really, REALLY do not like her, in this episode she redeemed herself (to me) because of her interactions with, you guessed it, Jun Pyo. They actually have a real tete-a-tete going on in this episode! I love that she took care of him while he was sick and they were stranded in the cable car (?), maybe this time their interactions are more significant though because she wasn’t drunk and could actually call him ‘stupid’ or ‘punk’ back!

Fun Observation (although there’s a lot more in this episode to unpack, I need to leave something for my unni to write about!): Just how did they set the bicycle on fire so fast?!

Where is My Celebrity Boyfriend?

Dear Takeshi Kaneshiro,

I feels like forever since I’ve seen you. Like I could ever forget your face:

http://www.aceshowbiz.com/still/00003725/red_cliff28.html

Don’t you remember how we met? I know you may want to forget Returner, but you should fondly remember that crazy film. I saw our potential even as you worked your way through the alien time travel. Don’t remember the subsequent good times?

The Warlords?

Red Cliff? This warrants a brief pause, because you KNOW my love of Zhuge Liang.

K-20?

I even watched you in Fallen Angels and you KNOW how I feel about Wong Kar Wai. So where have you been?

While one might assume you have been up to no good, you clearly have been doing good stuff, starring in Peter Chan’s Wu Xia. Ok, let’s say it together: WU XIA! Just the name makes me giddy. And just when I think it can’t get any better, IT HAS DONNIE YEN ALSO! And just when I think my mind can’t take anymore. THEY TAKE IT OLD SCHOOL WITH JIMMY WANG!! Really?! YES, REALLY!

Don’t believe me? Look here! (I know since you are in the film you already know. I’m just telling the people).

How could I have ever doubted you? Ok, I will wait patiently for your return. The end of 2011 seems so far away. 😦

And it better be good. Just sayin’.

Luv U!