Beyond ‘The Chinese Connection”: Contemporary Afro-Asian Cultural Production interrogates cross-cultural dynamics within a transnational context. As a result of such films as Enter the Dragon (1973), The Chinese Connection (1972) and The Big Boss (1971), Bruce Lee emerges as both a cross-cultural hero and global cultural icon who resonates with the experiences of African American, Asian American and Hong Kong youth, experiences impacted by the rise of a global economy in the 1970s. Drawing on theories of cosmopolitanism and hybridity, I argue that Lee’s films prefigure themes that reflect cross-cultural negotiations with global culture for post-1990 Afro-Asian cultural production. Engaging in global culture in a variety of ways, such cultural production includes novels such as Frank Chin’s Gunga Din Highway (1999), Ishmael Reed’s Japanese By Spring (1992), and Paul Beatty’s White Boy Shuffle (1996); films such asRush Hour 2 (2001), Unleashed (2005), The Matrix trilogy (1999-2003) and the Japanese anime series, Samurai Champloo (2004). (University of Mississippi Press, 2013)
Get your copy!