If you have been watching the KBS2 show The Return of Superman, you have been hit with the overwhelming cuteness of the toddlers. However, the show also shows another side of Korean masculinity through the interaction between the kids and their dads.
Most of us who watch Kdramas are used to their titles, but sometimes the titles of Kdramas do not do them justice. That’s when I start making up new titles that I feel are far more descriptive of what is actually going on.
Here are some examples:
God of War, or Delusional Women of Goryeo (He Doesn’t Want You)
This is a gripping tale (so far). You have serious themes like slavery and corruption. You follow the story of a monk torn from his contemplative life and thrust into a politically-motivated world as a slave. However, sometimes I get distracted by the women. Song Yi is a love-interest (in her own mind). Few who are watching this Kdrama like her. One viewer says she “should be strung up,” and another hopes “that she gets killed off.” Chun Shim is her servant, and she’s no better, shamelessly chasing after a man who has made it clear he’s “just not that into her.”
While they are separated by class, they both share the annoying trait of chasing men who show absolutely no interest in them whatsoever. The less attention the men show them, the more determined these women get. Veteran Kdrama watchers are used to the shenanigans of female characters, but neither of these women are sympathetic. You’re actually glad when the men go to the frontier.
Chuno, or Chosun-Era Parkour
I get it: they are slave catchers. This involves chasing and running. But has anyone else noticed the parkour-like acrobatics the leads engage in? In slow motion? It’s like: gotta go to the market to get some supplies. Watch me jump off this wall! In slow motion. And do this flip. It’s an innovative way to show how even slave-catching is work and hard labor.
Kingdom of the Winds, or Jumong Jr.
I really think that the makers of Jumong just weren’t done, even with 81 episodes under their belt. Hey, I love a sequel too. For Kingdom of the Winds, they just picked up the members of the cast of Jumong and plopped them down a few decades later. Hey, who’d notice? These characters are apparently beloved by the audience.
I haven’t seen the mother of all historical Kdramas yet, but how surprised was I to find that Song Il Gook, who portrays Jumong, also plays his grandson in Kingdom of the Winds? I was completely convinced he was Jumong’s grandson. He hasn’t aged a day!
Don’t worry, you get the same political and palace intrigue to boot! Plus, there are lots of references to good ol’ Jumong. Once I finish with Kingdom of the Winds, I suppose I’ll have to watch Jumong to see how this all got started. What’s really funny is, no one ever tells Muhyul that he looks exactly like his grandfather!
Baker King Kim Tak Goo, or Evil, Down to the Bitter End
You know, I have a really strong moral compass. I think that if you do good things, good things will happen to you. However, if you are evil, you will reap what you sow. This applies so much more in the world of Kdramas. I mean, why else would you endure episode after episode, if not to see the villain get his or her just due? There are times when Ma Jun has me completely fooled. I begin to think that he is a real human being, with feelings. But then he just returns to his evil ways, again and again and again.
But he pales in comparison to his mother, Seo In Sook! She just can’t stop! She’s spend her life messing up the lives of others, all to assure her son a successful life. For a minute, I thought about calling this Kdrama No One is Interested in Your Flunky Son. She condones kidnapping, eviction, termination from employment, lying and I even think attempted murder at one point. Even when her relationships with her children and her husband are at stake, she just can’t help being evil!
Boys Over Flowers, or I Don’t Like That Chick
Oh Jan Di. She is the reason why this Kdrama is called Boys Over Flowers. She starts off very plucky. You like her. You even try to give her the benefit of the doubt when two really attractive guys begin to show interest in her. Oh the dilemma! She also seems to be a good influence on those bratty, rich boys. She stands her ground, defends her friends. And then something goes horribly, horribly wrong. She becomes as passive as a rock. She can’t make a decision to save her life. I find the dynamics among F4 far more compelling: they fight and make up and fight again. Jan Di just stands there and does nothing.
All my good feelings get transferred to her friend, Ga Eul! She’s in a similar situation as Jan Di: they work in the same noodle shop. They are both outsiders to the swanky world of F4. She’s not content to just wait around for these boys to get it together. When she falls for one of F4, she’s on a mission to get him. Or at least show that he’s not nearly as much of a player as he thinks he is.
City Hunter, or No Socks, No Shoes, No Service
Look, if you are going to be a vigilante/security expert, you gotta play the role. That means being athletic, having the right hair, the right clothes, the right shoes, and, apparently, no socks. That’s what Lee Min Ho is teaching me. Cool heroes fight for justice with no socks on. I haven’t figured out exactly how this contributes to his hero status. It surely doesn’t do anything for his aerodynamics as he’s jumping off of buildings. Perhaps this mystery is solved in the final five episodes, which I refuse to watch until I get some new Lee Min Ho on tap in the upcoming Kdrama, Faith.
So, as long as they keep making Kdramas, I’ll keep making up alternative titles. In my head.
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